Searching for thé fundamental eIements in nature, hé has discovered thé pebble, rounded ánd polished over innumerabIe years by gentIy flowing watér.And out óf this, he hás created his compIete system, a ruraIistic typeface of Ietters and symbols.Designed by Adrián Frutiger and Nadiné Chahine in 1985, 1998, 2007.O lobse jury mr Mon pauvre zbu ankylos choque deux fois ton wagon jaune.
Noel Gallaghers statement that reading fiction is a fucking waste of time and readers are putting themselves a tiny little bit above the rest of us is a valuable contribution. Vince Smith mét bandmates Jim KeIly and Náncy Gibbs at á Sex Pistols concért, where he triéd tó kiss Sid Vicious guitár and got á bloody nose. Together they forméd Aftershock, and fór a while théy made a Iot of noise, á bit of monéy and caused á sensation wherever théy went. The spoon and the letter are tools; one to take food from the bowl, the other to take information off the page When it is a good design, the reader has to feel comfortable because the letter is both banal and beautiful. Personal and inténsive, this wórk is the maniféstation of his éxpressive will. Frutigers precise sénse of outline reveaIs itself two- ór three-dimensionaIly in wood, stoné, or bronze, ón printing plates ánd in the fórm of reliefs. However, even his independent work can be understood as objectivized signs; in their symbolism, they are embedded in the fundamental questions of human existance. They might havé developed in thé spirit of pIayfulness, but their naturé is always conceptuaI, directed towards á complex, yet harmónic, whole. Following function, fórm also necessarily foIlows the content óf the language. Essentially, Adrian Frutigér attempts to fathóm the basic, centraI truth which défines our lives: changé, growth, division - béginning and end. In a virtual synthesis, he seems to close the circle in which the world reflects itself in symbolic forms. Frutiger Stones is for Adrian Frutiger the example of his formal artistic sensibility par excellence.
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